Studi eksploratif praktik pedagogi multisensori dalam pembelajaran keyboard bagi siswa tunanetra

Lentera Negeri November 02, 2026 Volume 7, Number 1 3 authors

Abstract

Pembelajaran keyboard bagi siswa tunanetra memerlukan adaptasi pedagogis yang memungkinkan akses terhadap informasi musikal dan orientasi instrumen tanpa bergantung pada demonstrasi visual. Penelitian ini bertujuan mengeksplorasi praktik pedagogis multisensori dalam pembelajaran keyboard bagi siswa tunanetra serta mengidentifikasi pola keterhubungan praktik tersebut berdasarkan pengalaman pembelajaran di lapangan. Penelitian menggunakan pendekatan kualitatif dengan desain studi kasus eksploratif di SLB-A Karya Murni Medan pada Januari–Maret 2025. Partisipan terdiri atas dua instruktur keyboard dan delapan siswa tunanetra berusia 10–16 tahun, yang mencakup lima siswa buta total dan tiga siswa dengan penglihatan lemah. Data dikumpulkan melalui observasi partisipatif selama 16 sesi pembelajaran dalam delapan minggu, wawancara semi-terstruktur dengan instruktur, siswa, dan orang tua atau wali, serta dokumentasi. Data dianalisis menggunakan model interaktif Miles, Huberman, dan Saldaña melalui kondensasi data, penyajian data, serta penarikan dan verifikasi kesimpulan. Hasil penelitian mengidentifikasi empat pola praktik pedagogis yang saling berhubungan, yaitu pengalaman auditori (Hearing-Auditory), penjelasan verbal-konseptual (Talk-Conceptual), eksplorasi taktil-kinestetik (Tactile-Kinesthetic), serta imitasi dan reproduksi musikal melalui integrasi berbagai pengalaman sensoris (Multi-Sensory Imitation). Keempat pola tersebut disintesiskan setelah analisis data lapangan ke dalam kerangka pedagogis HATT-MS. Praktik pembelajaran menunjukkan bahwa instruktur mengombinasikan dan menyesuaikan dukungan auditori, verbal, dan taktil sesuai kebutuhan siswa, termasuk mengurangi bantuan secara bertahap selama proses reproduksi musikal. Penelitian ini menghasilkan HATT-MS sebagai kerangka pedagogis empiris-kontekstual untuk mengorganisasikan praktik pembelajaran keyboard nonvisual bagi siswa tunanetra. Kerangka ini memberikan perspektif untuk memahami keterhubungan berbagai modalitas dalam praktik instruksional, tetapi belum dimaksudkan sebagai model universal yang telah terbukti efektivitasnya.

Authors

  1. Herna Hirza

    Universitas Negeri Medan

  2. Lanang Riyadi

    Universitas Negeri Medan

  3. Suharyanto Suharyanto

    Universitas Negeri Medan

Keywords

References

  1. Abouelenein, Y. A. M., Salem, N. E. M. I., Mahdy, E. M. M., & Khalaf, M. H. R. (2025). Impact of a serious games-based adaptive learning environment on developing communication skills and motivation among autistic children. Education and Information Technologies, 30(17), 24201–24232. https://doi.org/10.1007/s10639-025-13728-w
  2. Almeida, A. M. P., Beja, J., Pedro, L., Rodrigues, F., Clemente, M., Vieira, R., & Neves, R. (2020). Development of an online digital resource accessible for students with visual impairment or blindness: Challenges and strategies. Work, 65(2), 333–342. https://doi.org/10.3233/WOR-203085
  3. Ananda, F. S., Sukmayadi, Y., & Riyadi, L. (2024). Perancangan Aplikasi sebagai Media Pemahaman Notasi Musik bagi Anak Usia Dini. Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik, 6(1), 82–96. https://doi.org/10.24036/musikolastika.v6i1.146
  4. Baker, D., & Green, L. (2016). Perceptions of schooling, pedagogy and notation in the lives of visually-impaired musicians. Research Studies in Music Education, 38(2), 193–219. https://doi.org/10.1177/1321103X16656990
  5. Bilyalova, A., Bazarova, L., Salimova, D., & Patenko, G. (2021). The Digital Educational Environment: The Problem of Its Accessibility for Visually Impaired Students. International Journal of Emerging Technologies in Learning (iJET), 16(16), 221. https://doi.org/10.3991/ijet.v16i16.23453
  6. Brown, D. J., & Proulx, M. J. (2016). Audio–Vision Substitution for Blind Individuals: Addressing Human Information Processing Capacity Limitations. IEEE Journal of Selected Topics in Signal Processing, 10(5), 924–931. https://doi.org/10.1109/JSTSP.2016.2543678
  7. Burger, C. (2022). Keyboard Skills for the Practical Musician. Routledge. https://doi.org/10.4324/9781003055044
  8. Callahan, M. R. (2015). Teaching and Learning Undergraduate Music Theory at the Keyboard: Challenges, Solutions, and Impacts. Music Theory Online, 21(3). https://mtosmt.org/issues/mto.15.21.3/mto.15.21.3.callahan.html
  9. Cvrtila, T., Bačlija Sušić, B., & Lapat, G. (2021). Challenges in Music Education from the Aspect of Inclusion of Student with Visual Impairments. Glasbeno-Pedagoski Zbornik Akademije za Glasbo v Ljubljani, 17(35), 59–73. https://doi.org/10.26493/2712-3987.17(35)59-73
  10. Deja, J. A., Mayer, S., Čopič Pucihar, K., & Kljun, M. (2022). A Survey of Augmented Piano Prototypes: Has Augmentation Improved Learning Experiences? Proceedings of the ACM on Human-Computer Interaction, 6(ISS), 226–253. https://doi.org/10.1145/3567719
  11. İlkay, G., Kıvanç Öztuğ, E., Eren, H. C., & Sülün, E. (2025). Transformative 21st Century Approaches in Musical Ear Training: Fostering Essential Skills for Enhanced Learning. Sage Open, 15(2). https://doi.org/10.1177/21582440251326438
  12. Jabar, P. N. (2017). Media braille pada pembelajaran piano untuk siswa tunanetra di SMPLB-A (YPAB) Surabaya. Jurnal Pendidikan Sendratasik, 6(1). https://doi.org/10.26740/JPS.V6N1.P
  13. Jurinić, A., Pranjić, M., Huang, A., Burkhart, T. A., Tan, D., & Namburi, P. (2026). The biomechanics of piano playing: a systematic review of kinematic, kinetic, and electromyographic literature. Frontiers in Psychology, 16. https://doi.org/10.3389/fpsyg.2025.1690422
  14. Ladda, A. M., Wallwork, S. B., & Lotze, M. (2020). Multimodal Sensory-Spatial Integration and Retrieval of Trained Motor Patterns for Body Coordination in Musicians and Dancers. Frontiers in Psychology, 11. https://doi.org/10.3389/fpsyg.2020.576120
  15. Lee, L., & Liu, Y.-Y. (2025). Integrating Digital Technology Systems into Multisensory Music Education: A Technological Innovation for Early Childhood Learning. Applied System Innovation, 8(5), 125. https://doi.org/10.3390/asi8050125
  16. Leko, M. M. (2014). The Value of Qualitative Methods in Social Validity Research. Remedial and Special Education, 35(5), 275–286. https://doi.org/10.1177/0741932514524002
  17. Leko, M. M., Cook, B. G., & Cook, L. (2021). Qualitative Methods in Special Education Research. Learning Disabilities Research & Practice, 36(4), 278–286. https://doi.org/10.1111/ldrp.12268
  18. Lu, L., Cochrane, K. A., Kang, J., & Girouard, A. (2023). “Why are there so many steps?”: Improving Access to Blind and Low Vision Music Learning through Personal Adaptations and Future Design Ideas. ACM Transactions on Accessible Computing, 16(3), 1–20. https://doi.org/10.1145/3615663
  19. Lu, L., Crispin, C., & Girouard, A. (2024). “We Musicians Know How to Divide and Conquer”: Exploring Multimodal Interactions To Improve Music Reading and Memorization for Blind and Low Vision Learners. The 26th International ACM SIGACCESS Conference on Computers and Accessibility, 1–14. https://doi.org/10.1145/3663548.3675604
  20. Lu, L., Kang, J., Crispin, C., & Girouard, A. (2023). Playing with Feeling: Exploring Vibrotactile Feedback and Aesthetic Experiences for Developing Haptic Wearables for Blind and Low Vision Music Learning. The 25th International ACM SIGACCESS Conference on Computers and Accessibility, 1–16. https://doi.org/10.1145/3597638.3608397
  21. Luciani, M. G., Cortelazzo, A., & Proverbio, A. M. (2022). The role of auditory feedback in the motor learning of music in experienced and novice performers. Scientific Reports, 12(1), 19822. https://doi.org/10.1038/s41598-022-24262-x
  22. Miles, M. B., Huberman, A. M., & Saldaña, J. (2018). Qualitative data analysis: A methods sourcebook. Dalam SAGE Publications, Inc (4th ed.). SAGE Publications.
  23. Miyauchi, H. (2020). A Systematic Review on Inclusive Education of Students with Visual Impairment. Education Sciences, 10(11), 346. https://doi.org/10.3390/educsci10110346
  24. Payne, W. C., & An, Y. L. (2025). Access Beyond the Score: Understanding Notation Needs and Workflows of Low Vision Musicians. Proceedings of the 27th International ACM SIGACCESS Conference on Computers and Accessibility, 1–14. https://doi.org/10.1145/3663547.3746322
  25. Pino, A., & Viladot, L. (2019). Teaching–learning resources and supports in the music classroom: Key aspects for the inclusion of visually impaired students. British Journal of Visual Impairment, 37(1), 17–28. https://doi.org/10.1177/0264619618795199
  26. Quaglia, B. W. (2015). Planning for Student Variability: Universal Design for Learning in the Music Theory Classroom and Curriculum. Music Theory Online, 21(1). https://www.mtosmt.org/issues/mto.15.21.1/mto.15.21.1.quaglia.html
  27. Rahmayani, I., & Selian, S. N. (2025). Tantangan Anak Tuna Netra dalam Pembelajaran. Jurnal Ilmiah Literasi Indonesia, 1(1), 145–158. https://doi.org/10.63822/P5ZBCT63
  28. Reybrouck, M., & Schiavio, A. (2024). Music performance as knowledge acquisition: a review and preliminary conceptual framework. Frontiers in Psychology, 15. https://doi.org/10.3389/fpsyg.2024.1331806
  29. Riyadi, L., & Aprillia, A. (2025). Pendekatan Inklusif dalam Pengajaran Musik: Strategi, Pelatihan, dan Adaptasi Menghadapi Anak Berkebutuhan Khusus. Tonika: Jurnal Penelitian dan Pengkajian Seni, 7(2), 103–115. https://doi.org/10.37368/tonika.v7i2.770
  30. Rogers-Shaw, C., Carr-Chellman, D. J., & Choi, J. (2018). Universal Design for Learning: Guidelines for Accessible Online Instruction. Adult Learning, 29(1), 20–31. https://doi.org/10.1177/1045159517735530
  31. Roman, T. A., Collins, E. E., & Son, H. (2024). Supporting Music Literacy for Students with Special Needs in the Elementary General Music Classroom: A Design Case of a Digital Tool. TechTrends, 68(5), 962–972. https://doi.org/10.1007/s11528-024-00984-9
  32. Saputra, V. A. (2025). Development of Braille Notation Using Plasticine to Improve Musical Note Reading Competence for Blind Students. Jurnal Penelitian Pendidikan IPA, 11(12), 1172–1177. https://doi.org/10.29303/jppipa.v11i12.13002
  33. Shrestha, P., & Bhattarai, P. (2021). Application of Case Study Methodology in the Exploration of Inclusion in Education. American Journal of Qualitative Research, 6(1), 73–84. https://doi.org/10.29333/ajqr/11461
  34. Sutela, K., & Ahonen, O. (2025). “I can feel the rhythm, and it is somehow nice”: Deafness challenging the hierarchy of senses in music education. Research Studies in Music Education, 47(2), 186–201. https://doi.org/10.1177/1321103X231223864
  35. Tarigan, P. D. L., & Hirza, H. (2019). Piano Learning Of Blind Children In Extracurricular Program At SLB-A Karya Murni Medan. Grenek Music Journal, 8(2), 1–13. https://doi.org/10.24114/grenek.v8i2.14294
  36. Widyanto, M. R. I., & Sabetra, F. (2026). Penggunaan audio untuk penguatan notasi musik braille sebagai media pembelajaran pada mahasiswa disabilitas netra. Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan, 4(2), 221–226. https://doi.org/10.24036/VS20Q911
  37. Zhang, S., Masu, R., Bettega, M., & Fan, M. (2025). Accessibility and Social Inclusivity: A Literature Review of Music Technology for Blind and Low Vision People. Proceedings of the 27th International ACM SIGACCESS Conference on Computers and Accessibility, 1–22. https://doi.org/10.1145/3663547.3746466
  38. Zhukov, K. (2021). Learning to play an instrument. Dalam Routledge International Handbook of Music Psychology in Education and the Community (hlm. 185–200). Routledge. https://doi.org/10.4324/9780429295362-18